For most Zimbabwean contemporary artists, their work will largely remain a passion project for most of their career. The lucky few will enjoy a foray into foreign art markets, while some will settle for roadside curio stalls. Such is the reality — just like fashion, Zimbabwean art remains niched; tucked away in the ‘afterthought folder’ of our daily existence.
Thankfully, platforms and galleries have been emerging to take up the gap and bring change to the ecosystem. One such platform is the Zimbabwe Creative and Cultural Arts Organisation (ZICCA), which has upped the ante during the last half of 2024; hosting shows and exhibitions at its space on Corner Sam Nujoma Street and Jason Moyo Ave.
Fresh off a group exhibition titled ‘Mawonero//Perspectives’ in mid-November, ZICCA House will close off the month with O’Neal Maisiri’s solo exhibition titled ‘I Wish You Could See Me’ on 29 November.
Ahead of the exhibition, we sat down with the 26-year old for a deep dive into his past and his perspective. Enjoy!
Can you detail your journey as an artist — when and how did you get into Visual Art?
My artistic journey began when I was in grade one. Back in primary school, I spent hours drawing and practicing. My classmates often approached me to help with their class drawings and diagrams because they recognized my skill and attention to detail. Looking back, I see that as the foundation for my creative practice—a time when my love for creating first began to take shape.
In high school, I painted for the first time after joining the art program at St. John’s Emerald Hill. It was a humbling experience because I found myself surrounded by incredibly talented peers who had been honing their skills for years. Their dedication inspired me to take art seriously and begin exploring my potential in the field. My first group shows were held during my school years, including one at the National Gallery of Zimbabwe.
After high school, I immersed myself in Zimbabwe’s art scene, visiting places like the Avondale Market, Delta Gallery, and the National Gallery of Zimbabwe. However, my most transformative experience came when I moved to South Africa to study Information Systems at a community college in Johannesburg.
What happened in South Africa?
Despite my academic path, I felt a sense of imposter syndrome and decided to leave school to focus entirely on art.
During that time, I had the privilege of learning at August House Studios in Johannesburg—a creative hub that hosts artists from across Africa and the world. Instead of attending lectures, I spent my days engaging with artists, discussing their journeys and techniques, and exploring various mediums. It was an eye-opening period that deepened my understanding of art and its global conversation.
Have you had any exhibitions prior to ‘I Wish You Could See Me’
Professionally, I debuted last year with my exhibition Apokalypto at Batanai Gardens. It was well-received, and I remain grateful for the turnout.
However, due to unforeseen circumstances, the exhibition started late, and I take full responsibility for that. I’ve learned that even the smallest details can impact how art is received, and I strive to improve with every project.
What is the concept behind ‘I Wish You Could See Me’?
‘I Wish You Could See Me’ is a deeply personal project rooted in three core ideas.
Firstly, it is a tribute to my late mother. She passed away in 2020 during the height of my artistic pursuits, and due to pandemic restrictions, I couldn’t say goodbye. While she didn’t fully understand my passion for art, she supported me unconditionally as her child, always wanting the best for me. Hosting my first-ever gallery exhibition feels like a milestone, and I wish she could see how far I’ve come.
This exhibition is also a response to friends, family, and community members who’ve witnessed my journey from a distance. Many have seen me covered in paint or missing events to focus on my work, but few have experienced my art in person. This is my opportunity to connect with them and let them truly see me through my art.
Lastly, it is a reflection of the audience. Ultimately, this project is not about me — it’s about you, the viewer. Contemporary art serves as a mirror, reflecting the times we live in. Through this exhibition, I hope my audience sees themselves, their stories, and their emotions through the lens of my work.
What has been the biggest influence on your art so far?
The greatest influence on my work has been the people I’ve encountered along the way. I’ve had the privilege of meeting and learning from incredible artists like Azael Langa, Greatjoy Ndlovu, and Sanusi Olatunji—visionaries whose works resonate across the global art world. Their mentorship and encouragement have been invaluable, especially as they’ve achieved milestones like selling works to icons like Trevor Noah, Kobe Bryant, and Swizz Beatz.
Beyond these relationships, my art is deeply influenced by spirituality. I believe that all art comes from the spirit, and for me, the Spirit of the Lord guides my work. Art is a tool for ministry, self-expression, and storytelling, and I see it as a gift meant to touch others.
What do you have to say about the role that ZICCA is playing for modern art?
ZICCA is a powerful platform amplifying creative voices and exploring new ways to present artistic expression. I never imagined that so early in my career, I’d have the chance to showcase my work in spaces where my heroes have exhibited.
At my last exhibition, seeing respected artists attend was humbling and inspiring. It reminded me of the hidden potential within me that I sometimes fail to recognize. I’m deeply grateful to ZICCA for acknowledging that potential and giving me the opportunity to extend my reach. Their support affirms the importance of nurturing emerging voices in the art world.
You also have a gallery space in Crowhill. Tell us more about that?
My studio is located on my late mother’s estate. I transformed a small cottage into a creative studio where I experiment with mixed media and multimedia practices. Crowhill is a quiet and developing area, making it an ideal space for focused work.
The long-term vision for this space includes building a modern gallery to showcase the art created here. We’re currently in the fundraising phase, collaborating with other artists, collectors, and patrons to bring this vision to life. It’s an exciting project that reflects the spirit of collaboration and community.
Can you mention Zimbabwean artists whose work you admire and respect?
Well, it’s quite a list (laughs), but in no particular order: Greatjoy Ndlovu, Misheck Masamvu, Georgina Maxim, Moffat Takadiwa, Lovemore Kambudzi, Admire Kamudzengerere, Portia Zvavahera, Gresham Tapiwa Nyaude, Kombo Chapfika, and not forgetting Tapfuma Gutsa.
What direction do you think Zimbabwean contemporary art will take in the coming years?
Zimbabwean contemporary art is moving toward what my peers and I call “Ultra-Modern Art.” This movement transcends traditional boundaries of medium, style, and subject matter. It’s characterized by constant evolution and a commitment to innovation while maintaining the integrity and depth of the work.
I believe this new wave of artists will redefine how Zimbabwean art is perceived globally. As a young artist and curator, I’m honored to be part of this transformative period. The future of Zimbabwean art is bright, and we are ready to lead the charge.
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This Friday, O’neal Maisiri will honour his mother’s memory and dazzle the audience with his art. Be sure to attend the exhibition at ZICCA House, starting at 1700. Advance tickets are $10. You can get your ticket from the artist himself via WhatsApp.
